Review: Are You There God? It’s Me, Margaret (2023)
Written and directed by Kelly Fremon Craig, the film adapts the homonymous book written by Judy Blume, released in the 1970s. The author’s initial hesitation and rigidity regarding the adaptation of her work were completely rewarded. Judy Blume never initially considered a film version of her book and was only convinced after Kelly Fremon Craig was considered for the director’s role. After all, the filmmaker proved her talent and sensitivity for films with the “coming-of-age,” ripening, and youth themes, as seen in the excellent “The Edge of Seventeen” in 2016.
Eleven-year-old Margaret moves to a new town and begins to contemplate everything about life, friendship, and adolescence. She relies on her mother, Barbara, who offers loving support, and her grandmother, Sylvia, who is trying to find happiness in the next phase of her life. Questions of identity, everyone’s place in the world, and what gives meaning to life quickly bring them closer than ever.
That said, it’s time to talk about the numerous qualities of this brilliant 2023 work. I can say in advance that there are several themes explored here very well. Family and religion — these topics are approached naturally and delicately, resulting in a film that is so sensitive, comforting, and, in a way, even contemplative. The doubts, interests, and desires of the protagonist are conveyed to the viewer in a beautiful way, especially in the interactions between Margaret and her family and friends.
Thus, I believe that these relationships, so natural and well-structured, are directly influenced by the quality of the cast, which is wonderful in the film. Rachel McAdams gives the best performance of her career. I really liked the actress here; she plays the role of a mother facing changes in life, venturing into new things, and dealing with an 11-year-old daughter. Her work definitely plays a crucial mediating role in Margaret’s development. That said, the acting quality of Abby Ryder Fortson, who plays Margaret, is notable, and she carries the narrative weight very well. I also highlight Kathy Bates, who plays Margaret’s grandmother and also has a crucial role in the character’s development. In general, the direction and casting direction here are exquisite; everything is well-balanced.
It can be said that “Are You There God? It’s Me, Margaret” subverts the concept of a common story, just about personal growth and all this rite of passage. There is a complete plot here that brings a certain depth to various themes such as discoveries and changes. The movie establishes a vision and a positioning of the characters throughout the whole film.
Kelly Fremon Craig’s direction is quite original, sensitive, and brings a very close approach to the characters. This gives the viewer a sense of importance and contemplation to such an emotional story. I believe that the film’s editing, along with the director’s cuts, sets an extremely pleasant rhythm, generating a natural atmosphere among the characters and aiming to give weight to Margaret’s discovery process, especially in the topic of religion. However, the way Margaret communicates with the God she believes in, talking about her feelings and desires, adds dynamism and creates funny situations.
The film is set in the 1970s and does not hesitate to truly incorporate that era. The art direction, the sets, the cinematography — everything is very captivating. The setting provides crucial support for the entire film’s discussion. The relationship between Margaret and her grandmother, for example, manages to reconcile and connect different generations that are constantly seeking answers, self-discovery, and in a way, dealing with changes in life. Of course, all of this revolves mainly around the discussion of religion, love, and the closeness that binds these two characters.
Hans Zimmer is responsible for the film’s original score, which, although simple, evokes something sensitive, curious, and exciting that is undoubtedly essential for the overall quality of the film. A work that enriches the film, for sure. In addition, the musical choices are very good and emphasize the feeling of the 1970s. One particular scene, where The Guess Who’s “These Eyes” is played, is simple but of great importance to Rachel McAdams’s character. And of course, with a subtle joke that honestly couldn’t be more timely.
In conclusion, only good things can be said about “Are You There God? It’s Me, Margaret.” A film that, according to Judy Blume herself, the book’s author, is better than the source material. A text with very relevant discussions and, in the end, a film rich in all its aspects, “Are You There God? It’s Me, Margaret” is refreshing, charming, sensitive, and truly enjoyable. So far, my favorite film of the year.
